Patterns in Porcelain
Porcelain is a unique medium: the plasticity of its particles lends itself to fine detail, its whiteness, uncontaminated by other earth oxides, reflects light and gives a particular luminosity to glazes, and its high-vitrification point makes it incredibly durable and translucent when illuminated.
During this five-day workshop, the participants will be introduced to porcelain’s enchanting history: used in China as early as 7th century A.D., attempts to recreate true porcelain in Europe seemed like an act of alchemy and magic. Taking it out of its utilitarian and industrial context, we will engage in the drawing and making process using plaster moulds to impress design details onto the clay surface. We will consider a range of making techniques, there will be an opportunity to experiment with matte and transparent glazes, and we will also consider the effects of kiln firing processes.
By the end of the course, each participant will have completed a small panel or a series of repeating design elements, where the designs are incised or in relief on the surface of porcelain, and will be equipped with skills for further experimentation and exploration into the beauty and functionality of this medium.
Participants are encouraged to bring their own circular or square design composed of geometric and/or biomorphic motifs or may choose from a range of designs supplied by the tutor.
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Porcelain is a unique medium: the plasticity of its particles lends itself to fine detail, its whiteness, uncontaminated by other earth oxides, reflects light and gives a particular luminosity to glazes, and its high-vitrification point makes it incredibly durable and translucent when illuminated.
During this five-day workshop, the participants will be introduced to porcelain’s enchanting history: used in China as early as 7th century A.D., attempts to recreate true porcelain in Europe seemed like an act of alchemy and magic. Taking it out of its utilitarian and industrial context, we will engage in the drawing and making process using plaster moulds to impress design details onto the clay surface. We will consider a range of making techniques, there will be an opportunity to experiment with matte and transparent glazes, and we will also consider the effects of kiln firing processes.
By the end of the course, each participant will have completed a small panel or a series of repeating design elements, where the designs are incised or in relief on the surface of porcelain, and will be equipped with skills for further experimentation and exploration into the beauty and functionality of this medium.
Participants are encouraged to bring their own circular or square design composed of geometric and/or biomorphic motifs or may choose from a range of designs supplied by the tutor.
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