Armenian Manuscript Illumination: The Harrowing
On this course, students will paint a copy of the Harrowing of Hell as depicted this beautiful 13th century Armenian manuscript. Armenian manuscripts have a long and rich history, dating back fifteen centuries. This particular image depicts the crucified Christ descending to hell to rescue Adam and Eve, and symbolically all of humanity.
The tutor will begin with an illustrated talk discussing illumination, the meaning of the image, and the symbolism found throughout (including colour, the figures, the floral forms and buildings and so on).
Students will then be guided through the intensive painting process including how to: prepare and burnish the paper; make watercolour pigments with natural minerals and gum Arabic; transfer the image to the paper; use shell gold; and painting.
To achieve the fine lines necessary for a beautiful painting, students will be given practice exercises for line work, and guidance on painting small faces, the hands, and vestments of the figures.
If you do not finish during the course, you should have the skills to continue painting on your own.
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On this course, students will paint a copy of the Harrowing of Hell as depicted this beautiful 13th century Armenian manuscript. Armenian manuscripts have a long and rich history, dating back fifteen centuries. This particular image depicts the crucified Christ descending to hell to rescue Adam and Eve, and symbolically all of humanity.
The tutor will begin with an illustrated talk discussing illumination, the meaning of the image, and the symbolism found throughout (including colour, the figures, the floral forms and buildings and so on).
Students will then be guided through the intensive painting process including how to: prepare and burnish the paper; make watercolour pigments with natural minerals and gum Arabic; transfer the image to the paper; use shell gold; and painting.
To achieve the fine lines necessary for a beautiful painting, students will be given practice exercises for line work, and guidance on painting small faces, the hands, and vestments of the figures.
If you do not finish during the course, you should have the skills to continue painting on your own.
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